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Book Title: Spurs: Nietzsche's Styles/Eperons: Les Styles de Nietzsche The author of the book: Jacques Derrida ISBN: 0226143333 ISBN 13: 9780226143330 Language: English Format files: PDF Loaded: 2500 times Reader ratings: 7.5 The size of the: 332 KB City - Country: No data Edition: University of Chicago Press Date of issue: 1981 |
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We are still far from determining the essence of forgetting. Precisely there where forgetting reveals itself to us in its full extent are we still only too vulnerable to the danger of understanding forgetting as but a human fact.
It was exciting to read Spurs over the weekend, the opening interval of the World Cup. Apparently Derrida and Jean Genet used to attend club matches in France together. I marvel at what that could have involved: the thunk of the ball, the deferred penetration of the castrated goal and, well, all those penises. Spurs sets a risible tone. The introduction as overture plays with the meanings of coup and tympana: the search as drumbeats, the forceful pounding an alert as well as an erotic culmination. Derrida arrives on stage to extend the prose proem, albeit one in a nonlinear fashion, accepting Nietzsche's assertion that Truth is a woman (from the opening aphorism of Beyond Good and Evil) he speaks of character and seduction. The word for Spur is etymologically similar to Style. Style and stylus refer to a pointed intrusion, a jabbing, almost like the ship splitting the waters. This carnival cruise continues revealing a missing umbrella which prompts Derrida to conclude that neither Nietzsche's thought nor his texts were or are centralized. An interrogation of Heidegger's Nietzsche follows, one with Derrida sight reading from Heidegger's text while staring at his own upraised thumb instead of ponder Nietzsche himself. This is a bit maddening but a lot of laughs as well.
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Jacques Derrida was the founder of “deconstruction,” a way of criticizing not only both literary and philosophical texts but also political institutions. Although Derrida at times expressed regret concerning the fate of the word “deconstruction,” its popularity indicates the wide-ranging influence of his thought, in philosophy, in literary criticism and theory, in art and, in particular, architectural theory, and in political theory. Indeed, Derrida's fame nearly reached the status of a media star, with hundreds of people filling auditoriums to hear him speak, with films and televisions programs devoted to him, with countless books and articles devoted to his thinking. Beside critique, Derridean deconstruction consists in an attempt to re-conceive the difference that divides self-reflection (or self-consciousness). But even more than the re-conception of difference, and perhaps more importantly, deconstruction works towards preventing the worst violence. It attempts to render justice. Indeed, deconstruction is relentless in this pursuit since justice is impossible to achieve.Reviews of the Spurs: Nietzsche's Styles/Eperons: Les Styles de Nietzsche
SONNY
Phone number you need to drive to protect against robots.
BETHANY
One of the best books
DAVID
A wonderful book, like all the works of this author.
SARAH
Despite the criticism, I liked the book!
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